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In the realm of shadow’s whisper, Dances a cipher unclad, Drifting in seas of never-was, Speaking in tongues of the void unbound.

It steps in silence, vast and deep, A lexicon, scribed in air, Through labyrinths, undefined they creep, Unseen tapestries, woven bare.

Dreams half-caught, in twilight’s breath, Echoes dance in styles unknown, Breathing truths, enigmatic, deft, A nomad builds in realms unshown.

A shadow, born of absent light, Treads a path, unseen, unswayed, A language lost, in eternal night, An artist, brushless, unafraid.

In silence, a symphony unplayed, On Plato's wall, mere shadows sway, A mirage, in formless deserts made, Fireflies dance, then fade away.

And in this cryptic, endless land, I am the whisper of dawn, heralding day.

EVAN ABRAHAMSON
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  Every painting in this body of work begins in a naturalistic manner, painstakingly depicting as much detail as the hand and eye permit. After considerable care and control is given to grasp a clear image, I then introduce the element of chance into


Every painting in this body of work begins in a naturalistic manner, painstakingly depicting as much detail as the hand and eye permit. After considerable care and control is given to grasp a clear image, I then introduce the element of chance into the work by mechanically and unsentimentally passing over the painting with a massive brush, what could be likened to the technique of sfumato. The consequence is that of revealing the fragility of things while erasing everything but what is important.

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64D8D1EF-6756-410C-A625-7768C31C156B.jpg
74998AF1-9F19-45A5-ACA4-AD50C86DA2EA.jpeg
391BE495-278D-4B82-857B-CE10D41D3C1F.jpeg
 This body of work spans a six year exploration between perspectivism and gestural painting. Semblance manifests from the distance of a fragmentary and often chaotic base, forming an either/or parallax.

This body of work spans a six year exploration between perspectivism and gestural painting. Semblance manifests from the distance of a fragmentary and often chaotic base, forming an either/or parallax.

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710A163C-4A8F-4949-B428-E1C4E0934DED.jpeg
876C1785-B6D6-471D-AE93-609C26EAAEFE.jpeg
9A7F3C4C-B32D-4B49-B97C-F271836C0685.jpeg
6BAD60D5-0E56-43DD-A5ED-F6D4B5E6574A.jpeg
96095C5D-36C9-4AF3-AFBC-715014387F73.jpeg
09FA1231-EFDC-49E4-8B30-E6123FB84CFF.jpeg
  Every painting in this body of work begins in a naturalistic manner, painstakingly depicting as much detail as the hand and eye permit. After considerable care and control is given to grasp a clear image, I then introduce the element of chance into
11B1F129-CF80-4DEA-AF0D-14B5DEDB7D3A.jpeg
64D8D1EF-6756-410C-A625-7768C31C156B.jpg
74998AF1-9F19-45A5-ACA4-AD50C86DA2EA.jpeg
391BE495-278D-4B82-857B-CE10D41D3C1F.jpeg
 This body of work spans a six year exploration between perspectivism and gestural painting. Semblance manifests from the distance of a fragmentary and often chaotic base, forming an either/or parallax.
C7EFB284-FDB1-4E27-8A7F-ECC50C9CF2E9.jpeg
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